Showing posts with label Red Skelton. Show all posts
Showing posts with label Red Skelton. Show all posts

🎥 Review: Neptune's Daughter (1949)

 "I'd like to tell you a story about a guy, a girl, and a bathing suit"

 


 

Neptune's Daughter, a delightful technicolor musical romantic comedy film, is celebrating its 75th anniversary. It was released on this very day in 1949 by MGM. This colorful masterpiece stars the talented Esther Williams, Red Skelton, Ricardo Montalbán, Betty Garrett, Keenan Wynn, Xavier Cugat, Xavier Cugat, and Mel Blanc. Directed by Edward Buzzell, it introduced the Academy Award-winning song "Baby, It's Cold Outside" by Frank Loesser sung by the four main actors.
I found the film to be a fun and engaging watch, a perfect distraction for some entertainment. 
 
 

 
Plot: Swimmer-turned-entrepreneur Eve Barrett teams up with her pal Joe Backett to run a chic swimsuit business. When Eve's sister Betty starts swooning over a smooth South American polo player named Jose O'Rourke, Eve steps in to steer her away. Little does Eve know, that Betty is actually smitten with Jack Spratt, a masseuse pretending to be Jose. To shield her sister from heartache, Eve tracks down the real Jose and agrees to a date. But in a surprising twist, Eve ends up catching feelings too. 
 
 

 
The film requires you to overlook the absurd plot elements (such as someone confusing Skelton with a South American polo star) and just go along with it. I repeatedly watch the movie solely to admire the vibrant swimsuits and the beautiful wardrobe worn by Williams. Interestingly, this film is responsible for popularizing the timeless Christmas favorite, and Academy Award-winning song "Baby, It's Cold Outside" by Frank Loesser sung by the four main actors. Contrary to misguided beliefs, this song is not promoting date rape. I really enjoyed the way the song's lyrics were showcased in two different ways. In the first duet, Montalban and Williams, Montalban pursues Williams. On the other hand, in the duet between Garrett and Skelton, Garrett takes on the role of the pursuer while Skelton defends himself. The version with the main leads follows a more traditional and romantic approach, whereas the duet with the supporting leads is filled with humor.
 

 

Williams portrays a swimsuit designer in the movie and later drew inspiration from the swimwear designs featured in the film to create her own line of swimsuits.
When Williams was filming the movie, she was actually pregnant with her first child, so her swimming scenes are a bit calmer than you might expect. Instead, the "chorus" is the one doing all the cool sliding and diving stunts at the end, while Esther watches from a platform above, cheering them on.
 
 
 

 
Williams and Montalban, had co-starred in two movies together before this one: Fiesta (1947) and On An Island with You (1948). Williams had also collaborated with Red Skelton previously. He was her co-star in her first major film, Bathing Beauty (1944) (and had a small role in Duchess of Idaho, and starred alongside Williams in Texas Carnival (1951)). Williams had recently finished filming a movie with Garrett, Take Me Out to the Ball Game, which was released just two months before Neptune's Daughter.
 
Fun Fact: Mel Blanc provides the voice of Pancho with a high-pitched, exaggerated Mexican accent. He later reused this voice to create the beloved Warner Bros. cartoon character Speedy Gonzales after four years.

🛣️ Road Trip! The Red Skelton Festival

"If I can make people smile, then I have served my purpose for God"- Red
Skelton

 

Richard Bernard "Red" Skelton, the comedic legend, was born on this day, July 18th, back in 1913. Hailed for his dynamic expressions and golden heart, he was truly a comedy genius. Skelton held audiences captive with his simple yet patriotic brand of humor and charming stage persona that drew deeply from the clown tradition. He left his mark not just in live performances, but also through radio and television broadcasts. Just last month, I had the wonderful opportunity to meet Lothian - Skelton's wife and daughter of the famous cinematographer Greg Toland, renowned for his work in 'Citizen Kane' and 'The Best Years of Our Lives'. This encounter took place at the annual festival in Vincennes, Indiana, Skelton’s hometown, which proudly celebrates the legacy of their beloved comedian each year. What an incredible experience it was!



 

Even though I was running late to the Clown Parade, I was able to capture a few end moments and funny clown antics. The parade route culminates at the Red Skelton Museum of American Comedy. This is a real treat if you're a fan, as there you are able to take snaps of fellow fans dressed up as Skelton's well-known TV characters. 

 


 



As I was about to explore the exhibits, I struck up a conversation with a delightful woman, both of us adorned with Red Skelton festival buttons. To my surprise, she introduced herself as Lothian, the late Red Skelton's wife! Our chat was heartwarming. Her love for Skelton's fans and determination to maintain his legacy was evident. What took me by surprise was her own connection to golden era Hollywood, being the daughter of honored cinematographer, Greg Toland. He was well-regarded for his contributions to cinematic classics like Orson Welles' Citizen Kane, William Wyler's The Best Years of Our Lives, and John Ford's The Grapes of Wrath.

 
Lothian Toland Skelton











 

 

 

 

 

 

 


The museum primarily serves as an homage to Skelton, yet also acts as an extensive resource on the history of American comedy. The guests are accommodated in a small theater where they are presented with a highly professional introductory documentary about Skelton and his place in the dynamic history of American comedy. After that, guests can explore various exhibits showcasing the original costumes worn by Skelton for different characters on television. Accompanying each exhibit is footage that provides insights into the character, including standout moments from their TV career. The museum brilliantly leverages digital media to narrate Skelton's story, alongside an impressive display of artifacts. Numerous hands-on and interactive exhibits contribute to a fun and engaging experience for both children and adults. 



 




 


 

Additionally, the museum houses an exhibit detailing Skelton's position on keeping "under God" in the Pledge of Allegiance - a phrase he remembered learning as a young boy in Vincennes. Moreover, the museum features exhibits that shed light on Skelton's interests beyond comedy. These highlight his artistic talent and written works, offering a comprehensive look into the man behind the comedic genius.

 

 


Art by Red Skelton

 


1978 Cecil B. DeMille Award. First one, the top was broken off by Red, then replaced by the second which was broken off again!
Broken Cecil B. DeMille Award presented to Red by Richard Burton



 


 

Museum's History

Since 2006, Vincennes, Indiana,  proudly remembers Red with a festival.  The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born. The building includes an 850-seat theater, classrooms, rehearsal rooms, and dressing rooms. Its grand foyer is a gallery for Skelton's paintings, statues, and film posters. The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions. The adjacent Red Skelton Museum of American Comedy opened on July 18, 2013, attended by fans, Skelton's widow, Lothian, daughter, Valentina Skelton Alonso and Jamie Farr. Throughout the years Crystal Gayle, The Smothers Brothers and Debbie Reynolds also visited. It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes (that they be made available in his hometown for the public's enjoyment). Lothian, the wife of Skelton, pointed out that he didn't fancy any Hollywood-style memorials. The funding for the museum is a joint venture between the Red Skelton Museum Foundation and the Indiana Historical Society. Plus, they didn't stop there; they also purchased and maintained his childhood home as well as other special spots.











Red's History

Joe, the father of Red, passed away two months prior to his birth, which left his mother, Ida Mae, solely responsible for bringing up Red and his three brothers. Throughout his early life, Red faced challenges such as financial instability and frequent bullying by his siblings. Yet, in spite of these difficulties, he is remembered as a caring and playful jester who always aimed to induce joy in others. To contribute to his family's income, Red engaged in various small jobs and sold newspapers, an endeavor he began at just seven years old. In 1923, an individual purchased all copies of the day's paper distributed by Skelton, intending to quiet Skelton. He then invited Skelton to watch the newest local show, even promising him a behind-the-scenes tour. It was the first time Skelton had an encounter with the theater industry - the individual turned out to be the famed comedian, Ed Wynn.

  




When he was 15 years old, Red embarked on a journey into the world of entertainment, performing in medicine shows, vaudeville, burlesque, and minstrels. The year 1937 saw Red making his first mark in the spheres of radio and Broadway, where his comedic skills were quickly recognized. In the course of the 1940s, "The Red Skelton Show" became a customary feature on radio. Simultaneously, Red continued to expand his horizons by appearing in films for MGM. Memorable scenes from this point in his career include his "Whistling" series in the 1940s and the endeared duet "Baby, it's Cold Outside" with Betty Garrett in the film, "Neptune's Daughter." Throughout WWII, Red's services extended beyond entertainment; he served in the US Army and ensured the morale of troops by performing comedy shows. In 1951, he played a significant role in promoting television with the launch of "The Red Skelton Show". This program enjoyed a long run of 20 years with multiple Emmy Awards to its name. Red never squandered an opportunity for creativity, establishing himself as an abundant artist, writer, and composer of music. Even in his later years, he maintained an active stage presence, performing at numerous colleges, casinos, and theaters.



My funny bone was tickled the entire time I was there. His contribution to our lives brought a newfound respect in me for him, particularly during a period when we deeply required laughter - a need that remains essential to this day!