Showing posts with label QuickSpotlight. Show all posts
Showing posts with label QuickSpotlight. Show all posts

🎥 Review: Winter Meeting (1948)

"I see now I was too happy. It was like Christmas morning when you’re little — too many presents, too much tinsel, too much of everything. You end up crying because you want it to go on and on."

Winter Meeting (1948) is an intentionally slow-paced, dialogue-rich romantic drama featuring Susan (Bette Davis) as a reclusive poetess who finds herself unexpectedly in love with a World War II hero Slick (James Davis). Through deep conversations, Slick encourages Susan to open up about her father's tragic suicide and her strained relationship with her mother. Meanwhile, Susan discovers Slick's inner turmoil and desire to become a priest. 
 
Despite its artistic ambitions, the film was a major box office failure, grossing less than half of its production and promotion costs. It marked Bette Davis's biggest flop at Warner Bros., following the disappointing reception of Deception (1946), which led Jack L. Warner to question Davis's box office appeal. With its somber tone, some viewers may find the film tedious due to the lack of chemistry between the actors.
 
 

Set against a wintry backdrop and directed by Bretaigne Windust, the film contains moments of genuine tenderness, such as a sleigh ride that epitomizes their fleeting connection. However, the harsh reality soon sets in, revealing that their romance is doomed, culminating in a poignant conclusion. While it may not spark much excitement, Winter Meeting delves into profound themes of love, sacrifice, and the intricate web of life's choices.

Easter Parade (1948)

“Fred put me completely at ease. He’s a gentleman – and lots of fun to work with.”- Garland on Astaire

"She wasn’t primarily a dancer, but she could do what you asked her to do. And she had great charm, and she was a very big star. She was in good form – we had a very good time. Our numbers together remain as high spots of enjoyment in my career. Her uncanny knowledge of showmanship impressed me more than ever as I worked with her.”- Astaire on Garland 
 
 

Back in 1948, MGM came out with a fun, colorful musical film called Easter Parade. One of my favorite musicals, I've watch it every Easter since I was little. The film was shot in ten weeks in order to be released in time for Easter. Originally, they had planned to have Gene Kelly play the role of Don Hewes, alongside Cyd Charisse and Frank Sinatra. However, due to Kelly breaking his ankle and Charisse's torn ligament, the cast ended up getting completely switched around. In the end, we get to watch a couple of swells, Fred Astaire & Judy Garland mesh so beautifully, a fast-tapping Ann Miller as Nadine, and the boyish debonair Peter Lawford rounding out the cast as Jonathan. 
 
 
Film Synopsis: Set in New York, in 1912, about a successful Broadway dancer named Don Hewes (played by Fred Astaire). When his current dance partner, Nadine Hale (played by Ann Miller), decides to leave him for a Ziegfeld production, Don is pretty angry. But he's convinced he can work with anyone and turn her into amazing dancer. Enter Hannah Brown (played by Judy Garland), a cheap diner performer who doesn't have much dance experience. But with Don's guidance and training, they become a huge sensation on stage and also fall in love. It's such a heartwarming and entertaining film - you'll love it! 
 

 
Trivia: Garland's husband Vincente Minnelli was originally slated to direct, but Garland's psychiatrist advised them not to work together. She had just been released from a sanitarium where she was treated for mental distress and drug dependency. Due to his two-year absence from the screen, Astaire wasn't sure if he could return. But after getting in shape and being reassured by Gene Kelly, he took the part. Garland had never met Astaire before and was afraid to speak to him until they were properly introduced. The shedding feathered gown worn by Garland in one number is an in-joke reference to Ginger Rogers' problematic gown in Top Hat (1935). A Garland solo number, "Mr. Monotony", was cut from the film.
 

'A couple of swells'


 
Keep your eyes peeled for Jules Munshin's funny scene in which he plays a waiter making an elaborate salad. You might think it's just for laughs, but it was actually part of MGM's clever way of screen testing out how audiences would react to him on screen. 
 
“I was pleased to be responsible for getting Fred back to work, but every time I see him and Judy singing A Couple of Swells, I do get a twinge of regret.”- Gene Kelly 
 
 
Fred Astaire, Peter Lawford & Judy Garland

 
 
Did you know that Ann Miller had to dance through the pain of pinched nerves in her back? She even had to wear a back brace during her delightful performance "Shakin' the Blues Away". In a candid interview with Robert Osborne, she also opened up about the abuse she suffered at the hands of her ex-husband Reese Milner. While pregnant and in agony, Ann was thrown down the stairs. She was also taller than Astaire, so she wore ballet slippers instead of heels so that they could be better matched during their dance routines. 
 
Ann Miller is 'Shakin the Blues Away
 
More than half of the songs performed in the Easter Parade were written by Berlin in the four decades prior to the film, and many of the songs were performed in various stage and film musicals. The songs that Berlin wrote especially for Easter Parade were: "It Only Happens When I Dance with You," "Better Luck Next Time," "Drum Crazy," "Stepping Out with My Baby," "A Couple of Swells," "A Fella With An Umbrella" and "Happy Easter." Another song, "Mr. Monotony," which was also written especially for the film, was not used. Berlin wrote the melody for the film's title song in 1917 and originally used it for a song entitled "Smile and Show Your Dimple." The song "Easter Parade" grew out of Berlin's reworking of "Smile and Show Your Dimple" for the 1933 revue As Thousands Cheer.
 
 
Irving Berlin (piano) Fred Astaire, Ann Miller and Peter Lawford 

 
 
It was MGM's top-grossing picture of the year, taking in about $6,800,000 at the box office in its initial release. Easter Parade marked the first and final time Fred Astaire would work with Judy Garland. They were supposed to star in The Barkley's of Broadway together the next year, but unfortunately, Judy fell ill and the production plans got canceled. Fred wrote in his autobiography that the studio wanted to wait and see if she would make a quick recovery, but unfortunately, that never happened. He was deeply disappointed that Judy couldn't join the production, but he was also grateful when he found out that Ginger Rogers would be his new co-star. 
 
 

Directed by Charles Walter. Story by Frances Goodrich Albert Hackett. The script was revised by Sidney Sheldon, a young writer who would later make his name as one of the most successful crime novelists of all time. Roger Edens and Johnny Green took home the statuette for “Best Musical Score.”

Don’t Bother to Knock (1952)

 

An American psychological film noir thriller starring Richard Widmark, Marilyn Monroe, Anne Bancroft & Elisha Cook Jr. and directed by Roy Ward Baker. When troubled Nell (giving an underrated performance by Monroe) is hired to babysit for the Joneses at a New York hotel, suppressed emotions and danger come to head when she meets catches the eye of fellow hotel guest Jed (Widmark) whose trying to win back his love (Bancroft in her first film role).

Marilyn Monroe & Richard Widmark
 

 


“I liked Marilyn, but she was God-awful to work with. Impossible, really. She would hide in her dressing room and refuse to come out. Then, when she finally would show up, she was a nervous wreck. It was all a result of fear. She was insecure about so many things and was obviously self-destructive. She was a wounded bird from the beginning. She had trouble remembering lines. But none of it mattered. With a very few special people, something happens between the lens & the film that is pure magic. And she really had it."- Co-Star Richard Widmark. 


Anne Bancroft

 



 




I Know Where I'm Going! (1945)

 “I reached the point of thinking there were no more masterpieces to discover, until I saw I Know Where I’m Going! It was funny, it was exciting, it was truly mystical and it was deeply stirring”- Martin Scorsese




In Michael Powell and Emeric Pressburger's stunningly photographed comedy, romance flourishes in an unlikely place—the bleak and moody Scottish Hebrides. Wendy Hiller stars as a headstrong young woman who travels to these remote isles to marry a rich lord. Stranded by stormy weather, she meets a handsome naval officer (Roger Livesey) who threatens to thwart her carefully laid-out life plans. Its the story of a young woman's transformation as she learns there can be much more to life than its glossy surfaces.

 

Pressburger wrote the screenplay in four days. "It just burst out, you couldn't hold back," he said. Pressburger said that, when he visited Paramount Pictures in 1947, the head of the script department told him they considered the film's screenplay perfect and frequently watched it for inspiration. Shooting took place on the Isle of Mull and at Denham Studios.


The movie was originally meant to star Deborah Kerr and James Mason but Kerr could not get out of her contract with MGM, so they cast Wendy Hiller. Six weeks before filming, Mason pulled out of the movie, saying he did not want to go on location. Roger Livesey read the script and asked to play the role. Powell thought he was too old and portly but Livesey lost "ten or twelve pounds" (four or five kilos) and lightened his hair.

The Broadway Melody (1929)



 
MGM's first all-talking picture, and the first sound film to win the Best Picture, Oscar. The first musical to use playback of the musical soundtrack during filming and to be conceived and written specifically for the screen. 


The top-grossing film of 1929 starred Charles King, Anita Page, and the lovely Bessie Love who was deserving of a nomination for the Best Actress  Academy Award. A pair of sisters from the vaudeville circuit try to make it big time on Broadway, but matters of the heart complicate the attempt. 

It was written by Norman Houston and James Gleason from a story by Edmund Goulding, and directed by Harry Beaumont. Original music was written by Arthur Freed and Nacio Herb Brown, including the popular hit "You Were Meant for Me". The George M. Cohan classic "Give My Regards to Broadway" is used under the opening establishing shots of New York City, its film debut.

 

 
 
The remake, Two Girls on Broadway (1940) starred George Murphy, Lana Turner, and Joan Blondell.The sequels all bore the title of the original. Also, the first musical to spawn three more sequels.