🎥 Review: Winter Meeting (1948)
Easter Parade (1948)
“Fred put me completely at ease. He’s a gentleman – and lots of fun to work with.”- Garland on Astaire
Don’t Bother to Knock (1952)
An American psychological film noir thriller starring Richard Widmark, Marilyn Monroe, Anne Bancroft & Elisha Cook Jr. and directed by Roy Ward Baker. When troubled Nell (giving an underrated performance by Monroe)
is hired to babysit for the Joneses at a New York hotel, suppressed emotions and danger come to head when she meets catches the eye of fellow hotel guest Jed (Widmark) whose trying to win back his love (Bancroft in her first film role).
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| Marilyn Monroe & Richard Widmark |
“I liked Marilyn, but she was God-awful to work with. Impossible, really. She would hide in her dressing room and refuse to come out. Then, when she finally would show up, she was a nervous wreck. It was all a result of fear. She was insecure about so many things and was obviously self-destructive. She was a wounded bird from the beginning. She had trouble remembering lines. But none of it mattered. With a very few special people, something happens between the lens & the film that is pure magic. And she really had it."- Co-Star Richard Widmark.
I Know Where I'm Going! (1945)
“I reached the point of thinking there were no more masterpieces to discover, until I saw I Know Where I’m Going! It was funny, it was exciting, it was truly mystical and it was deeply stirring”- Martin Scorsese
In Michael Powell and Emeric Pressburger's stunningly photographed comedy, romance flourishes in an unlikely place—the bleak and moody Scottish Hebrides. Wendy Hiller stars as a headstrong young woman who travels to these remote isles to marry a rich lord. Stranded by stormy weather, she meets a handsome naval officer (Roger Livesey) who threatens to thwart her carefully laid-out life plans. Its the story of a young woman's transformation as she learns there can be much more to life than its glossy surfaces.
Pressburger wrote the screenplay in four days. "It just burst out, you couldn't hold back," he said. Pressburger said that, when he visited Paramount Pictures in 1947, the head of the script department told him they considered the film's screenplay perfect and frequently watched it for inspiration. Shooting took place on the Isle of Mull and at Denham Studios.
The movie was originally meant to star Deborah Kerr and James Mason but Kerr could not get out of her contract with MGM, so they cast Wendy Hiller. Six weeks before filming, Mason pulled out of the movie, saying he did not want to go on location. Roger Livesey read the script and asked to play the role. Powell thought he was too old and portly but Livesey lost "ten or twelve pounds" (four or five kilos) and lightened his hair.
The Broadway Melody (1929)
MGM's first all-talking picture, and the first sound film to win the Best Picture, Oscar. The first musical to use playback of the musical soundtrack during filming and to be conceived and written specifically for the screen.
The top-grossing film of 1929 starred Charles King, Anita Page, and the lovely Bessie Love who was deserving of a nomination for the Best Actress Academy Award. A pair of sisters from the vaudeville circuit try to make it big time on Broadway, but matters of the heart complicate the attempt.
It was written by Norman Houston and James Gleason from a story by Edmund Goulding, and directed by Harry Beaumont. Original music was written by Arthur Freed and Nacio Herb Brown, including the popular hit "You Were Meant for Me". The George M. Cohan classic "Give My Regards to Broadway" is used under the opening establishing shots of New York City, its film debut.

















