🐾Happy National Pets in Film Day! A Pictorial

 Some of my best leading men have been dogs and horses. -Elizabeth Taylor 

Lassie Come Home (1943)


 

Playmates (1912)- Jean the Vitagraph Dog was a female collie who starred in silent films. Owned and guided by director Laurence Trimble, she was one of the first canines to have a leading role in motion pictures. Jean was with Vitagraph Studios from 1909 and, in 1913, went with Trimble to England to work with Florence Turner in her own independent film company.   

A Dog's Life (1918)

Fatty's Faithful Fido (1915)


Rin Tin Tin in The Man From Hell's River (1922)


Flush in The Barretts of Wimpole Street (1934)


Lobo the Marvel dog as Thunderbolt 1935


Pee Wee in Breakfast for Two (1937) 

Buttons in Lady Be Good (1941)

Judith Anderson as Mrs. Danvers in a dressing room with 3 dogs during the filming of Rebecca (1940)

Skippy in Bringing Up Baby (1938)


Nissa in Bringing Up Baby (1938)



Pard in High Sierra (1941)


Friday in Eyes in the Night (1942)


Bathing Beauty (1944)


My Pal Wolf (1944)


Soda in Since You Went Away (1944)


Adventures of Rusty (1945)

Max in Living on Velvet (1935)


Buck in Call of the Wild (1935)

Asta in The Thin Man series


Toto in The Wizard of Oz (1939)



It Happened on Fifth Avenue (1947)

The Yearling (1946)


Easter Parade (1947)


It Shouldn't Happen to a Dog (1946)

Rabelais in Out of the Blue (1947)


Obsession (1949)


Behave Yourself! (1951)


You Never Can Tell (1951)


Hondo (1953)

Bait (1954)


It's a Dog's Life (1955)


Lady and the Tramp (1955)

Kelly and Me (1956)


Hollywood or Bust (1956)


The Shaggy Dog (1959)

A Dog's Best Friend (1959)


Audrey Hepburn and her terrier, Mr. Famous, in Funny Face (1956)

Good-bye, My Lady (1956)

Pyewacket in Bell, Book and Candle (1958)



One Hundred and One Dalmatians
(1961)

Bobby in Greyfriars Bobby (1961)


That Darn Cat! (1965)


Danke in The Ugly Dachshund (1966)


A Boy Named Charlie Brown (1969)

The Incredible Journey (1963)


Benji (1974)


The Black Stallion (1979)

Nanook in The Lost Boys (1987)






🧺Happy International Picnic Day! A Pictorial

Picnic (1955)

Spring in Park Lane (1948)

The Sound of Music (1965)

To Catch a Thief (1955)

Climbing High (1938)

Picnic at Hanging Rock (1975)




The Golden Age of Suggestion: Dancing Around Desire: Alfred Hitchcock

 


Alfred Hitchcock, famously known as the master of suspense and a true provocateur of his era, possessed a remarkable ability to cleverly steer around the strict rules of Hollywood's Production Code. His ingenuity allowed him to inject daring themes and sensuality into his films, even under intense scrutiny. Here are just a few examples: 

The 39 Steps (1935): Handcuffed Intimacy


In his 1935 film, The 39 Steps, Hitchcock devised a brilliant solution to circumvent the ban on unmarried couples sharing the same bed. By handcuffing the characters played by Madeleine Carroll and Robert Donat together, he not only sidestepped the rule but also conveyed a palpable sense of intimacy. This clever twist perfectly showcased his talent for building tension and romance within the constraints of the era.

Rebecca (1940): Preserving Subtlety


Rebecca (1940) presented similar obstacles. The original script hinted at a strong homoerotic undertone between Rebecca and her housekeeper, Mrs. Danvers, which concerned the Production Code Administration (PCA). While Hitchcock had to tone down some of the more explicit dialogue, he artfully preserved subtle hints in the final film. Nuanced moments, such as Mrs. Danvers gently handling Rebecca’s lingerie, added richness to the characters and alluded to bold and controversial themes for that time.
 

Notorious (1946): The Three-Second Kiss


Another standout film, Notorious (1946), highlighted Hitchcock's impressive ability to navigate censorship. A kiss lasting no longer than 3 seconds definitely couldn't be open-mouthed. If a scene broke a rule, it had to be removed. So the well-known kissing scene between Ingrid Bergman and Cary Grant was famously crafted with short intervals of dialogue. This allowed the numerous kisses to last just under the PCA's strict three-second limit. This clever editing ensured the scene retained its sensuality without facing cuts from the censors. Bergman herself reminisced about their playful approach: "We just kissed each other and talked, leaned away and kissed each other again... the censors couldn't and didn't cut the scene because we never at any one point kissed for more than three seconds... we nibbled on each other's ears, and kissed a cheek, so that it looked endless." This ingenious technique made it a truly iconic moment in cinema history.

North by Northwest (1959): Playful Jabs


In North by Northwest (1959), Hitchcock continued to test the limits of the Production Code. When Eve Kendall's cheeky line, "I never make love on an empty stomach," was deemed too risqué by the PCA, Hitchcock playfully altered it in post-production to, "I never discuss love on an empty stomach." Additionally, when the PCA insisted on a clear indication of marriage between the main characters at the film's conclusion, Hitchcock cheekily included a suggestive shot of a train entering a tunnel at the finale. This playful jab at the censors truly showcased his rebellious spirit and sharp sense of humor.
 

Psycho (1960): Daring Deception


Hitchcock's boldness truly reached new heights with his film Psycho (1960). The infamous shower scene attracted considerable scrutiny from the PCA. Initially, censors believed they spotted nudity, prompting Hitchcock to resubmit the footage for approval without making changes. His bold move left the censors puzzled and ultimately approved the scene as it was.

Hitchcock's brilliance was not just in skillfully avoiding censorship, but also in creating a legacy that mixed horror with psychological insight. His creative techniques opened doors for today's filmmakers, enabling them to delve into intricate themes while pushing the boundaries of film norms.

📽️🚗Love at the Drive-In: A Cheeseburger Proposal Story

Today, as we celebrate National Drive-In Movie Day, we pay tribute to a pivotal chapter in cinematic history. It's especially fitting since the first patented drive-in theater opened its gates on June 6, 1933, in New Jersey. There's an undeniable magic to the drive-in experience—perhaps it's the tug of nostalgia, the unique shared experience under a canopy of stars, or simply the joyous freedom to savor a classic film with popcorn and a delicious cheeseburger! (More about cheeseburgers later. 😛)

 



On this special anniversary, I want to share my deeply personal connection to drive-in theaters. For my fiancé, Stephen, and me, drive-ins are far more than just venues for films; they're a cornerstone of our love story. Our journey with these nostalgic cinematic havens began early. One of our early dates involved a drive-in double feature of silent classics Nosferatu and The Phantom of the Opera at The Skyline Drive-In in Shelbyville, Indiana.  Another memorable night saw us watching The Creature from the Black Lagoon in thrilling 3-D! Reconnecting with drive-ins was a blast, especially since my last visit had been as a little girl in the early 1980s. And it was at the beloved Starlite Drive-In Theatre in Amelia, Ohio, in August of last year, that Stephen proposed—a moment that perfectly wove together our shared passion.


The day unfolded beautifully. We'd spent the entire afternoon at Cincinnati Union Terminal’s 1940s Day, completely immersed in the era. My sister and nephew joined us, as did Stephen's family and acting students from the Cincinnati Actors Studio, making for a lively group. A true highlight was winning the costume contest – I was ecstatic! Even the local news was there, capturing all the fun.

As evening set in, friends, family, and students gathered at the Drive-In for what I believed was our "last hurrah" to summer. Seeing my name and my family's names proudly displayed on the outside sign was a sweet, personal touch, making it feel like the perfect end to a wonderful day. But as it turned out, the night was just beginning.


Just before the 1996 Twister film began, a video unexpectedly flashed onto the big screen. It was Stephen! I first thought it was some funny ad he'd made for the drive-in's concession stand, but it quickly became clear this was something else entirely. He strolls up to the concession stand to order food, and then, poof, he's suddenly the worker behind the counter. My jaw dropped when he appeared again, this time in his incredible Indiana Jones costume from 1940s Day, complete with the iconic theme music playing. "If you're getting food for Seleus," he said, in perfect Indy fashion, "you better get two of everything. You know how she likes to eat." What in the world is going on? I wondered. Then, the Indiana Jones character pulled out a ring. Seriously, you have to see the amazing video below.



As the video reached its crescendo, I felt everyone around me pulling out their phones, ready to capture the moment. Then, there it was – an engagement ring, sparkling on the big screen! Stephen was proposing!

Completely overwhelmed and surprised, I turned around. It was like the parting of the Red Sea; surrounded by everyone we love, I saw him there, bending down on one knee. He asked me two questions. First: "Will you put this ring on your finger?" I immediately said yes, and he slipped the ring onto my finger. Then, in true Stephen fashion, his next question was, "Will you marry me?" – as he presented a cheeseburger to me! Words can't describe how happy I was.

Knowing my Popeye's Wimpy-esque love for cheeseburgers, it was the most fitting and hilarious addition to an already perfect moment. I exclaimed, "Yes!" again, and we kissed; then I took a triumphant bite of that cheeseburger! It was a truly magical night, so unique that our proposal was even featured in another local news segment about drive-in nostalgia! Watch the proposal and our interview from the local news below.



My love affair with drive-ins stretches back to the late 1970s. I must have watched countless films at the Whitestone Drive-In in The Bronx—from classic Bruce Lee and James Bond, to deliciously cheesy horror and sci-fi, and all the big studio blockbusters. Sometimes I'd go with my family, other times with my cousins, all piled into the back of a station wagon. The drive-in experience is truly unparalleled. It’s a place where families and friends could gather effortlessly, feast on movies and fun treats during intermission, and simply revel in each other's company. 

 

                                                          It's intermission time, folks!

 

      What a joy it is to find someone who loves them as much as you do.

That night was the ultimate full-circle moment, seamlessly weaving together so many elements dear to us. It was a perfect proposal on a perfect day at a perfect place. Words genuinely can’t express my gratitude to everyone who made that day possible, and most especially to my fiancé, Stephen, for making a dream come true!


This post is dedicated to the enduring magic of drive-ins and to my incredible fiancé, Stephen.]