Skip to main content

😱DISAS-TOBER! 🎥 REVIEW: Earthquake (1974)

 "Who do you have to know to get a drink around here?"

 


This month, I'm sticking with my Disas-tober theme, so I decided to check out a movie my mom saw in theaters. It's the classic 1974 film Earthquake, which imagines what would happen when a massive 9.9 quake hits L.A. 


Honestly, you all know I love a cheesy movie, but this one was a bit of a slog.  A lot of it just didn’t click for me, and I felt pretty bored. But then when the BIG earthquake finally hits, it finally gets interesting. The special effects are the highlight and make it worth watching at least once. The visuals and sound are really impressive. My mom told me that the film used something called Sensurround, which was meant to enhance the audio experience during screenings. She said her seat shook! 


Released on November 15, 1974, it features a star-studded with Charlton Heston, Ava Gardner, George Kennedy, Lorne Greene, Genevieve Bujold, Richard Roundtree, and even a funny cameo from Walter Matthau, plus a young Victoria Principal with a wild afro that was her own. As for the acting, Heston is his usual wooden self, and Gardner’s character is so over-the-top shrewish that it’s hard to watch. Bujold’s performance is bad and so is the romance with Heston. And why was Lorne Greene cast as Gardner’s dad when they’re only a few years apart? The only performance I liked was George Kennedy as an angry and disillusioned cop.

After the earthquake hit, I found myself bored again.






Why would they choose to set up a hospital rescue in the lower section despite being warned about aftershocks?

Why should I be concerned about Marjoe Gortner, who plays a National Guardsman with a violent personality in the movie? Why do I not feel any connection to any of the characters, including Bujold's kid who goes biking when the earthquake hits? The list goes on.

I just couldn't seem to connect with any of the characters in the film or stories, so I found myself not really caring about what happened to them. Unlike The Poseidon Adventure and The Towering Inferno (which I'll be reviewing soon), where I really cared about the characters and their outcomes.

The editing is choppy, the subplots are weak and badly acted, and some of the cuts are completely illogical, making the story hard to follow. However, when the earthquake hits, the film truly shines with incredible practical effects. From miniature buildings to detailed matte paintings, the attention to detail is outstanding. Trust me, the earthquake scene will leave you on the edge of your seat.





Earthquake introduced a groundbreaking technique specifically designed for filming. They used a "shaker mount" camera system that simulated earthquake effects by shifting the entire camera body a few inches side to side, instead of just shaking it on a regular tripod. This created a much more realistic motion. This camera setup was mainly used for outdoor scenes and other on-location shoots. Additionally, Universal's sound team created a system called "Sensurround," which consisted of large Cerwin-Vega speakers powered by BGW amplifiers. This system produced sub-audible "infra bass" sound waves at an intense 120 decibels, similar to the noise of a jet taking off, allowing viewers to feel the earthquake's impact. The film also featured a large number of highly skilled stunt performers for the most dangerous scenes, like high falls and dodging debris, setting a record in Hollywood with 141 stunt artists involved in the production. There have been reports of audience members experiencing nosebleeds and broken ribs due to the Sensurround system.








My face as I watched Earthquake

After witnessing all the chaos and destruction from the earthquake, a drunk Walter Matthau's is still just sitting there. It’s kind of funny! It seems like he didn’t want too much attention since he’s credited under the name Walter Matuschanskayasky.
 
I totally get where he's coming from. His face was like a mirror of how I felt. I guess I should've watched the movie like my mom did in 1974, but I was only a year old back then! 😆 She said it was a blast and I wish I could've been there to experience it.

The miniature sets 


Even though around 800 theaters in the U.S. and 2,000 worldwide could use the Sensurround technology, it was rarely utilized after the film Earthquake and faded away within five years. The only other films that used Sensurround were Midway in 1976, which was successful; the mostly forgotten disaster film Rollercoaster in 1977, which didn’t do well; and Battlestar Galactica in 1978, a strange re-edit of the TV series' initial episodes. After that, the technology was never seen again.
The film was directed by Mark Robson, with a screenplay by Mario Puzo and George Fox, and the music was composed by John Williams.


 
The concept of earthquakes led to the creation of the attraction Earthquake: The Big One at Universal Studios in both Florida and Hollywood.

Comments

Popular posts from this blog

🎥 Review: Key Largo (1948)

  "When your head says one thing and your whole life says another, your head always loses." John Huston directed this film-noir  masterpiece with an incredible cast which included the legendary Humphrey Bogart, Lionel Barrymore, Lauren Bacall, Edward G. Robinson, and the fabulous Claire Trevor - who won an Oscar for her outstanding performance. The movie is set in Key Largo, where a hurricane is fast approaching, adding to the already-tense atmosphere inside the hotel. The sadistic mobster Johnny Rocco storms in and takes the hotel owner, James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud, hostage at gunpoint. Fun fact: When Claire Trevor asked John Huston for some insight into her character, he gave her a hilarious description of "a drunken dame whose elbows are always a little too big, voice a little too loud, and a little too polite. Very sad, very resigned." And to top it off, he even showed her how to embody the character by leaning on the

🎥 Review: Shoot the Moon (1982)

There have been motion pictures made about the collapse of marriages. Scenes froth with denial, anger, depression, to bitter custody battles and destructive emotions of jealousy and abuse.  Some that comes to mind like Scenes from a Marriage (1974), Kramer vs. Kramer (1979), An Unmarried Woman (1979), and more recently A Marriage Story (2019). But none of them in my opinion quite captured the confusion, heartbreak, and turmoil like  Shoot the Moon (1982). The phrase "shoot the moon," comes from the card game hearts. It refers to taking a risk when playing your hand to achieve a higher score.     Directed by Alan Parker (Bugsy Malone, Midnight Express, Fame) and written by Bo Goldman (One Flew Over the Cuckoo’s Nest, Melvin, and Howard). The film depicts an intense look at marital disintegration from the perspective of both parents and their children. Parker and Goldman called upon their marriages to create the screenplay. The late Albert Finney and Diane Keaton are The Dunlap

🛣️ Road Trip! The Clark Gable Museum

In June of last year, I had the good fortune to take a tour of the Clark Gable Museum located in Cadiz, Ohio. The museum is an exact reconstruction of the original house where Gable was born, which sadly, had been previously demolished. The two-story home is full of Gable memorabilia from his early days in southeastern Ohio, including his prized New Port Blue 1954 Cadillac Coupe De Ville, which was my personal favorite part of the tour. Additionally, famous Gone With The Wind stars Cammie King-Bonnie Blue Butler, Ann Rutherford, and Butterfly McQueen have also left their handprints and signatures on display at the museum. Interestingly, my hand size happens to be the same as Ann Rutherford's, which was a fun fact. However, the tour also contained a somber and poignant moment with the Carole Lombard room. Unfortunately, we were not permitted to take any photographs of the personal notes or jewelry that Gable had gifted to Lombard, or any of his childhood memorabilia, including his b

🎥 Review: Dog Day Afternoon (1975)

    While re-visiting the film Dog Day Afternoon (1975) recently, I was struck anew by the sheer artistry of its opening montage. Set against Elton John's song Amoreena, the film immediately evokes the scorching heat and heady atmosphere of a typical summer afternoon in 1970s New York.  Other than Elton John’s song over the opening credits, the film doesn’t have a music score.                             This critically acclaimed biographical crime drama film, directed by Sidney Lumet, features a stellar cast including Al Pacino, John Cazale, Chris Sarandon, James Broderick, and Charles Durning. Pacino delivers an electrifying and impassioned performance as a gay bank robber desperately attempting to raise the funds needed for his partner's (played by Sarandon) transgender surgery.    Al Pacino & Charles Durning                       Chris Sarandon, with Durning and James Broderick                                                 John Cazale & Pacino                  

🎥 Review: The Velvet Vampire (1971)

 “ever since that night at the gallery, ever since—I knew I wanted you. I was hungry for you as long as I could have you.”       Stephanie Rothman's 1971 film, The Velvet Vampire, isn't your average fang-tastic flick. Rothman co-wrote and directed a pioneering film that embodies the creativity and ingenuity of a female director in a largely male-dominated genre. With its unique take on the queer seductress vampire subgenre, Rothman shatters the conventional mold of passive female victims and instead elevates a strong and empowered female character to the forefront of the horror narrative. By standing out from the crowd and daring to tell a fresh and exciting story from a female perspective.        Diane LeFanu, portrayed by Celeste Yarnall, is a cultured and affluent individual with a profound appreciation for art and music. She takes a keen interest in the striking married duo, Lee (Michael Blodgett) and Susan (Sherry Miles) and cordially invite them to her desert retreat for

🛣️ Road Trip! 20th Century Theater

  I have a deep appreciation for vintage movie theaters and murals. Growing up in the 1970s and 80s, my local cinema was The Loews Paradise in The Bronx, NYC. This enchanting venue created the ambiance of an outdoor villa courtyard beneath a starlit sky. I cherished the starry ceiling while enjoying some of my favorite films from that era. Now residing in Ohio, I often discover similar classic theaters that occasionally  and not often enough screen timeless films. While trying to burn off some of the delightful ice cream from  Aglamesis Bro's in Cincinnati, I stumbled upon a massive classic film mural just a block away. Is that Rosemary Clooney? Indeed it is! To my astonishment, the mural was situated above a theater marquee. The theater? The 20th Century Theater.    The 20th Century Theater stands as a charming historic landmark in Cincinnati, Ohio, designed by Fred W. Stritzel and inaugurated in 1941 as an opulent movie house. The inaugural film was Blood and Sand, featuring Rit