Skip to main content

😱DISAS-TOBER! 🎥 REVIEW: Earthquake (1974)

 "Who do you have to know to get a drink around here?"

 


This month, I'm sticking with my Disas-tober theme, so I decided to check out a movie my mom saw in theaters. It's the classic 1974 film Earthquake, which imagines what would happen when a massive 9.9 quake hits L.A. 


Honestly, you all know I love a cheesy movie, but this one was a bit of a slog.  A lot of it just didn’t click for me, and I felt pretty bored. But then when the BIG earthquake finally hits, it finally gets interesting. The special effects are the highlight and make it worth watching at least once. The visuals and sound are really impressive. My mom told me that the film used something called Sensurround, which was meant to enhance the audio experience during screenings. She said her seat shook! 


Released on November 15, 1974, it features a star-studded with Charlton Heston, Ava Gardner, George Kennedy, Lorne Greene, Genevieve Bujold, Richard Roundtree, and even a funny cameo from Walter Matthau, plus a young Victoria Principal with a wild afro that was her own. As for the acting, Heston is his usual wooden self, and Gardner’s character is so over-the-top shrewish that it’s hard to watch. Bujold’s performance is bad and so is the romance with Heston. And why was Lorne Greene cast as Gardner’s dad when they’re only a few years apart? The only performance I liked was George Kennedy as an angry and disillusioned cop.

After the earthquake hit, I found myself bored again.






Why would they choose to set up a hospital rescue in the lower section despite being warned about aftershocks?

Why should I be concerned about Marjoe Gortner, who plays a National Guardsman with a violent personality in the movie? Why do I not feel any connection to any of the characters, including Bujold's kid who goes biking when the earthquake hits? The list goes on.

I just couldn't seem to connect with any of the characters in the film or stories, so I found myself not really caring about what happened to them. Unlike The Poseidon Adventure and The Towering Inferno (which I'll be reviewing soon), where I really cared about the characters and their outcomes.

The editing is choppy, the subplots are weak and badly acted, and some of the cuts are completely illogical, making the story hard to follow. However, when the earthquake hits, the film truly shines with incredible practical effects. From miniature buildings to detailed matte paintings, the attention to detail is outstanding. Trust me, the earthquake scene will leave you on the edge of your seat.





Earthquake introduced a groundbreaking technique specifically designed for filming. They used a "shaker mount" camera system that simulated earthquake effects by shifting the entire camera body a few inches side to side, instead of just shaking it on a regular tripod. This created a much more realistic motion. This camera setup was mainly used for outdoor scenes and other on-location shoots. Additionally, Universal's sound team created a system called "Sensurround," which consisted of large Cerwin-Vega speakers powered by BGW amplifiers. This system produced sub-audible "infra bass" sound waves at an intense 120 decibels, similar to the noise of a jet taking off, allowing viewers to feel the earthquake's impact. The film also featured a large number of highly skilled stunt performers for the most dangerous scenes, like high falls and dodging debris, setting a record in Hollywood with 141 stunt artists involved in the production. There have been reports of audience members experiencing nosebleeds and broken ribs due to the Sensurround system.








My face as I watched Earthquake

After witnessing all the chaos and destruction from the earthquake, a drunk Walter Matthau's is still just sitting there. It’s kind of funny! It seems like he didn’t want too much attention since he’s credited under the name Walter Matuschanskayasky.
 
I totally get where he's coming from. His face was like a mirror of how I felt. I guess I should've watched the movie like my mom did in 1974, but I was only a year old back then! 😆 She said it was a blast and I wish I could've been there to experience it.

The miniature sets 


Even though around 800 theaters in the U.S. and 2,000 worldwide could use the Sensurround technology, it was rarely utilized after the film Earthquake and faded away within five years. The only other films that used Sensurround were Midway in 1976, which was successful; the mostly forgotten disaster film Rollercoaster in 1977, which didn’t do well; and Battlestar Galactica in 1978, a strange re-edit of the TV series' initial episodes. After that, the technology was never seen again.
The film was directed by Mark Robson, with a screenplay by Mario Puzo and George Fox, and the music was composed by John Williams.


 
The concept of earthquakes led to the creation of the attraction Earthquake: The Big One at Universal Studios in both Florida and Hollywood.

Comments

Popular posts from this blog

🎥 Review: Key Largo (1948)

  "When your head says one thing and your whole life says another, your head always loses." John Huston directed this film-noir  masterpiece with an incredible cast which included the legendary Humphrey Bogart, Lionel Barrymore, Lauren Bacall, Edward G. Robinson, and the fabulous Claire Trevor - who won an Oscar for her outstanding performance. The movie is set in Key Largo, where a hurricane is fast approaching, adding to the already-tense atmosphere inside the hotel. The sadistic mobster Johnny Rocco storms in and takes the hotel owner, James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud, hostage at gunpoint. Fun fact: When Claire Trevor asked John Huston for some insight into her character, he gave her a hilarious description of "a drunken dame whose elbows are always a little too big, voice a little too loud, and a little too polite. Very sad, very resigned." And to top it off, he even showed her how to embody the character by leaning on the ...

🛣️🎥 Road Trip! & Film Review: A Christmas Story- What I Want for Christmas by Ralphie Parker

“What I want for Christmas is a Red Ryder BB gun with a compass in the stock and this thing which tells time. I think that everybody should have a Red Ryder BB gun. They’re very good for Christmas I don't think that a football's a very good Christmas present."   This is the class theme and Christmas wish of 9-year-old Ralphie from the 1983 film A Christmas Story.  During the holiday season, I usually watch classic Christmas films like A Christmas Carol and It's a Wonderful Life. While I adore these movies, what I particularly love about A Christmas Story is its nostalgic portrayal of the joys and anticipation of being a child before Christmas. It gives us a glimpse into what kids really desire for Christmas from their own perspective. I just had the incredible opportunity to watch the film on the big screen surrounded by my loved ones and friends. The shared delight of experiencing this movie together truly enhanced my entire experience. When A Christma...

🛣️ Road Trip: Bogie & Bacall Slept Here

Nestled in the charming hills of Pleasant Valley Road in Lucas, Ohio, you'll find Malabar Farm - a lovely estate built in 1938 by Louis Bromfield. Born in Mansfield, Ohio in 1896, he was a farmer,  conservationist and published 33 books of fiction and nonfiction including a Pulitzer Prize, 18 best-selling novels, and 14 major motion pictures. This picturesque farm holds a special place in Hollywood history, serving as a peaceful escape for celebrities seeking respite from the hustle and bustle of the big cities in the 1940s.  One of the most memorable events to take place in the great entrance hall of the big house between the open staircases was the wedding of iconic actors Humphrey Bogart and Lauren Bacall on this day in film history May 21, 1945.  I had the incredible opportunity to visit this historic farm and follow in the footsteps of the the classic stars who stayed here and the legendary couple's marriage ceremony. Let's go back to the beginning - the farm's n...

🎥 Review: Shoot the Moon (1982)

There have been motion pictures made about the collapse of marriages. Scenes froth with denial, anger, depression, to bitter custody battles and destructive emotions of jealousy and abuse.  Some that comes to mind like Scenes from a Marriage (1974), Kramer vs. Kramer (1979), An Unmarried Woman (1979), and more recently A Marriage Story (2019). But none of them in my opinion quite captured the confusion, heartbreak, and turmoil like  Shoot the Moon (1982). The phrase "shoot the moon," comes from the card game hearts. It refers to taking a risk when playing your hand to achieve a higher score.     Directed by Alan Parker (Bugsy Malone, Midnight Express, Fame) and written by Bo Goldman (One Flew Over the Cuckoo’s Nest, Melvin, and Howard). The film depicts an intense look at marital disintegration from the perspective of both parents and their children. Parker and Goldman called upon their marriages to create the screenplay. The late Albert Finney and Diane Keaton are T...

🎥 Review: Three on A Match (1932)

 “I suppose I should be the happiest woman in the world. Beautiful home, a successful husband, and a nice youngster, but . . . somehow, the things that make other people happy leave me cold. I guess something must have been left out of my makeup.”   Today marks the 90th anniversary of the enforcement of the Production Code on this day in film history. The Hayes Code, or Hays Code as some like to call it, was established in 1930 but didn't start cracking down on those filmmakers until 1934. Its main goal was to keep films squeaky clean and avoid government interference. But before mid-1934, some movies were rebels who didn't care about those guidelines. This era gave us some raw and unfiltered cinema that truly captured the essence of the time. I'm low-key obsessed with pre-code flicks, there's just something so refreshingly honest about them.  I recently introduced the pre-code classic Three on a Match from 1932, to my boyfriend, who had never seen it before...

🎳 Happy National Bowling Day! Cinematic Bowling Frame by Frame

Let's bowl, let's bowl, let's rock 'n roll . Hey, come on! Let's get this show on the road" .... Bowling is one of my absolute favorite hobbies. Whenever I watch a classic film and there's a scene at a bowling alley, I can't help but sit up and pay close attention. I love seeing how old bowling alleys are used in movies to enhance the storyline. My rule for classic films is anything before 1987, but I'll explain why later. I'm sure I'll find more films with bowling scenes, but these are the ones I've seen so far.   “The Cobra Goddess will avenge herself! One by one, you will all die!” . Bowl for your health at Rico's ( David Janssen). Or maybe not? The horror film Cult of the Cobra (1955).     In the 1982 musical Grease 2, the Bowl-a-Rama serves as the primary gathering spot for the high schoolers. In this scene, Paulette (played by Lorna Luft, daughter of Judy Garland) refuses to nail while she sings and bowls alongside Johnny (Adri...