🎹I Love the Piano! Happy World Piano Day!

 

World Piano Day is celebrated on the 88th day of the year, which is the same as the number of keys on the piano

 

 

 

 

I have a passion for the piano, though I must admit I mostly enjoy playing around with the keys whenever I get the chance. To celebrate this day, I want to highlight a special type of piano featured in several classic films: the player piano, also known as the pianola. My first encounter with one was in Irving Berlin's 1948 movie, Easter Parade. 

Fred Astaire & Judy Garland performing 'I Love the Piano" in Easter Parade (1948).

I also recall seeing a player piano in and Harold and Maude (1971). 

Well, if you want to sing out, sing out
And if you want to be free, be free
'Cause there's a million things to be
You know that there are

Maude (Ruth Gordon) plays the piano then it plays on its own as she tries to cheer up Harold (Bud Cort) in Harold & Maude (1971).

Last summer, my fiancé and I had the pleasure of visiting The Historic Pony Wagon Museum in St. Paris, Ohio, where we got to experience playing one of the pianos. The owner had a fascinating room packed with boxes of rolled paper songs (I really wish I had taken a picture of it) that you feed into the piano. I found out that you need to pump it quite energetically with your feet, which I found challenging, but my fiancé managed it with much more ease!

The player piano, captured the hearts and imaginations of people in the late 19th to early 20th centuries. This fascinating instrument operated with the aid of tiny perforations on rolls of paper or metal, which guided it to play a sequence of notes. The magic of player pianos lay in their unique mechanism, powered entirely by suction generated from foot pedals. The 'player' of the piano would control the tempo and dynamics by speeding up or slowing down the pumping of these pedals, thus adding a personal touch to each rendition.

The player piano took off in popularity during the late 19th and early 20th centuries, thanks to new manufacturing techniques that made mass production possible. The height of player piano sales was in 1924, when homes all over America proudly featured these amazing instruments. Word rolls, which had lyrics printed alongside the music, became a big hit. Regular player pianos mostly played popular songs, jazz, and dance music, while reproducing pianos were made for classical pieces. Before radio and easy access to recordings, social gatherings often revolved around the player piano, with everyone joining in to sing their favorite songs. Many player pianos could even be played without the need for foot pumping.

But as recording technology advanced, families started trading in their player pianos for phonographs and radios. The ease and instant access to recorded music led to a drop in player piano popularity, especially after the stock market crash of 1929, which hit production and sales hard. Still, player pianos haven’t completely vanished. Some vintage models are still treasured in homes, and modern versions continue to inspire new generations.

🍸Happy National Cocktail Day!

 

How do you like your cocktail—shaken, not stirred? Whether you’re into a fruity mix, a perfectly blended drink, or something served on the rocks, today is all about you! Join the classic stars as they raise their glasses and celebrate with their cocktails on screen.

Kay Francis & William Powell in "One Way Passage" (1932)

 

 

Bebe Daniels, Randolph Scott in "The Cocktail Hour" (1933)

 

Mary Carlisle, June Knight, and Dorothy Burgess in "Ladies Must Love" (1933)

Joan Blondell & Warren William in "Gold Diggers of 1933" (1933)

Maureen O'Sullivan and William Powell in "The Thin Man" (1934)

 

Glenda Farrell & Joan Blondell in "Traveling Saleslady" (1935)

Marlene Dietrich and Gary Cooper in "Desire" (1936)

Irene Dunne and Charles Boyer in "Love Affair" (1939)

Mary Astor and Bette Davis in "The Great Lie" (1941)

Paul Henreid & Bette Davis in "Now, Voyager" (1942)

Lucille Ball, George Sanders and Sir Cedric Hardwicke in "Lured" (1947)

Dennis Morgan & Ann Sheridan in "One More Tomorrow" (1946)

Shelley Winters and William Powell in "Take One False Step" (1949)

Thelma Ritter and Bette Davis in "All About Eve" (1950)

Gloria Grahame and Humphrey Bogart in "In a Lonely Place" (1950)

Doris Day in "The Man Who Knew Too Much" (1956)

 

Sean Connery in "Dr. No" (1962)

Ursula Andress & Elvis Presley in Fun in Acapulco (1963)

Jack Nicholson in The Shining (1980)

🤠 March of the Gunslingers: Celebrating Westerns

I want to share a quick story about a college student who never saw a Western until she had to take a class on Westerns. As part of a critical thinking class, I had to take a film course titled "War and Westerns." Oh boy. Up Until 1994, the only Western film I had ever seen was "Young Guns" in 1988. I don't think I purposely avoided them, but I was too much into my RKO musicals and melodramas to care. Back then - before the internet, we had to read tons of copied notes from our professor; my syllabus was as thick as the Yellow Pages. "What did I get myself into?" I asked myself. My thesis was centered around the depiction of women in war films, but that's for another post. But what happened was incredible—a new appreciation for both genres and a lifelong love for them. 

I discovered that Westerns often explore similar themes, including life, love, loss, betrayal, revenge, community, and honor, amongst other things. The closest I came to knowing about frontier life, or cowboys, and Indians was my favorite childhood show, Little House on the Prairie. Back then, you checked out films from the school library to watch them before discussing them in class. I didn't have cable or TCM just yet. Fortunately, due to that class and library, I was able to watch classic Westerns like High Noon, The Searchers, Stagecoach, 3:10 to Yuma, and more. I fell in love with cinema again with an entirely new genre to my hungry and wide-open eyes. Over the past couple of years, I've seen dozens of classic Westerns. The characters that inhabit the Western genre are endlessly fascinating to me, and yet they are honestly simple as well.

These classic Westerns capture a time of rugged individualism and moral dilemmas on broad landscapes, where heroes and villains faced off under the burning sun. Expansive landscapes, fascinating characters, and gripping stories define this genre. Classic Westerns depict a world that is raw and untamed. There is no shine or glamour; it's all about survival and, more often than not, down to the grit of one man or woman’s life struggles. There is an escapist quality to Westerns. The stories are realistic, but they’re set in a time and a place so remote from where a young girl living in the Bronx could imagine.

Having said that, I fell in love with the cinematography, beautiful landscapes, and scenery of these classic works of art.

Here are just some of the classic Western films that I love:

Westerns with Barbara Stanwyck in it! She appeared in 10 of them over a 20-year period

Stanwyck in Annie Oakley (1935), Forty Guns (1957), The Maverick Queen (1956), The Moonlighter (1953), and Union Pacific (1939)

 

Americanism and the triumph of pioneers, stylistic storytelling in The Covered Wagon (1923).

 

 

 

Hatred, anger, and racism in The Searchers (1956) and Flaming Star (1960).

 

 

John Wayne & Natalie Wood in The Searchers (1956)

 

Elvis Presley & Steve Forrest in Flaming Star (1960)

 

 

Corrupt leadership and mob rule in The Ox-Bow Incident (1943).

 

 

Anthony Quinn, Dana Andrews, Henry Fonda, Frank Conroy and Jane Darwell

Comedies like Blazing Saddles (1975), The Rounders (1965) and Destry Rides Again (1939).

 

 

Cleavon Little & Gene Wilder in Blazing Saddles (1975)

 

 

 

Glenn Ford & Henry Fonda are The Rounders (1965)

  

Marlene Dietrich is riding high with James Stewart in Destry Rides Again (1939)

 

Manifest destiny and the building of the Transcontinental Railroad in The Iron Horse (1924) and How the West Was Won (1962).

 

 

The Iron Horse (1924)

 

 

How the West Was Won (1962) with James Stewart, Thelma Ritter, Robert Preston & Debbie Reynolds

 

Myth vs reality and the historical outlaw in Jesse James (1939). 

Tyrone Power, Henry Fonda and Jane Darwell

Hope, forgiveness, and second chances in Hell's Heroes (1929).

 

Charles Bickford, Raymond Hatton, and Fred Kohler

 

 

 

The female driven musicals Calamity Jane (1953) and Cat Ballou (1965).

 

 

Doris Day is Calamity Jane (1953)

Nat King Cole & Stubby Kaye narrate in song in Cat Ballou (1965) starring Jane Fonda

 

Guilt, regret, and the inescapable cycle of violence in The Gunfighter (1950).

 

 

 

Gregory Peck is The Gunfighter (1950)

 

Fear, courage, and the desire for a peaceful life in The Fastest Gun Alive (1956).

 

 

Glenn Ford & Broderick Crawford in The Fastest Gun Alive (1956)

 

 

Film-noirs Pursued (1947), Blood on the Moon (1948) and Bad Day at Black Rock (1955).

 

 

 

Robert Mitchum & Teresa Wright in Pursued (1947)

 

 

 

Robert Mitchum, Barbara Bel Geddes in Blood on the Moon (1948)

 

 

Spencer Tracy is having a Bad Day at Black Rock (1955) with Robert Ryan

 

The confrontation between old and new in Lonely Are the Brave (1962).

 

 

Kirk Douglas in Lonely Are the Brave (1962).

 

 

Feminism, blacklisting, sexuality, persecution in Johnny Guitar (1954).

 

Sterling Hayden as Johnny Guitar strolls into town just in time for a showdown between Joan Crawford & Mercedes McCambridge

The death of the old West and its heroes in The Man Who Shot Liberty Valance (1962).

 

John Wayne, James Stewart, Vera Miles, Edmond O'Brien, Lee Marvin in The Man Who Shot Liberty Valance (1962).

Greed and revenge in Winchester '73 (1950), Backlash (1956), The Good, The Bad and The Ugly (1966).

 

 

James Stewart & Shelley Winters in Winchester '73 (1950)

 Richard Widmark, Donna Reed and Barton MacLane in Backlash (1956)

 

Clint Eastwood, Eli Wallach and Lee Van Cleef are The Good, The Bad and The Ugly (1966).

 Honor, justice, and the struggle for survival in Shane (1953).

 

 

Alan Ladd is Shane (1953), with Van Heflin, Jean Arthur, Jack Palance and Brandon deWilde

 Good vs evil in 3:10 to Yuma (1957), and Silverado (1985).

 

 

Van Heflin & Glenn Ford in 3:10 to Yuma (1957)

 

Danny Glover, Kevin Kline, Scott Glenn and Kevin Costner in Silverado (1985)

 

Love, marriage, and the role of women in early America in Rachel and the Stranger (1948).

 

Loretta Young, William Holden & Robert Mitchum

 

 The futility of violence in The Big Country (1958).

 

 

 

Gregory Peck, Burt Ives, Jean Simmons and Charlton Heston

 

 Coming of age and justice in The Tin Star (1957).

 

Henry Fonda & Anthony Perkins

 

 

Sexual desire in Duel in the Sun (1946).

 

 

Jennifer Jones & Gregory Peck

 

Female empowerment and independence during the pre-Civil War expansion of the West in Westward the Women (1951).

 

Robert Taylor, Julie Bishop, Denise Darcel, Beverly Dennis, Marilyn Erskine, Lenore Lonergan, and Renata Vanni

 

Survival in the wilderness in Jeremiah Johnson (1972).

 

Robert Redford

 

And the clash between the rugged, untamed West and the advancing wave of modernization in Once Upon a Time in the West (1968). 

 

Henry Fonda, Claudia Cardinale, Sergio Leone, Charles Bronson, and Jason Robards

 

These gorgeous films offer stunning visuals and complex characters, making for a one-of-a-kind viewing experience. The genre combines beautiful cinematography, often featuring natural light and landscapes, with powerful storytelling themes like justice, redemption, and human nature. Legendary actors give layered performances that enhance the story, while the film-making techniques elevate the overall experience. The Western genre has a rich history that goes back over a hundred years, starting in the early days of American cinema. The first Westerns appeared in the early 1900s during the silent film era, influenced by dime novels and Wild West shows. 

 

A key early film was The Great Train Robbery (1903). With the introduction of sound, westerns evolved significantly, allowing for more complex storytelling that tackled themes of morality, justice, and human nature. A lot of the early Western movies were popular with kids, who loved going to cheap daytime showings. These action-filled Westerns were perfect for the low-budget film scene. Theaters in Los Angeles that focused on Westerns said their biggest issue was getting kids to leave the theater, not getting them to come in! They even had to check cap guns at the entrance because the screenings sometimes turned into pretend shootouts. Many of these films were made in a series, featuring the same main actors, which created a universe that audiences loved and recognized.

In 1948, Westerns accounted for 25% of the films produced in Hollywood. Producer Harry Sherman, famous for bringing Hopalong Cassidy to the big screen, had already made 157 Westerns by then. He believed that any of these films, which cost up to $1.5 million, were “as reliable as ham and eggs.” The success of this genre depended on three main ingredients: action, putting the hero in peril, and exciting chases.

 

The Golden Age of Westerns introduced iconic actors like John Wayne, Gary Cooper, and Henry Fonda, who embodied the cowboy “hero” in films. This classic Westerns of this period tackled the moral dilemmas faced by people living on the frontier and challenged the idealized image of the American West. Renowned directors like John Ford and Howard Hawks played a significant role in enhancing the genre with their unique storytelling and visual techniques. By the late 1940s and into the 1950s, the genre began to take a darker turn, focusing more on the psychological aspects of characters in what became known as the psychological Western. In 1958, Hollywood released 54 Western films, making up about 28% of all movies that year. Some standout titles from this period include the well-known film High Noon, John Ford’s classic The Searchers, and Howard Hawks’s hit Rio Bravo, which featured a star-studded cast. There were also several Westerns directed by Anthony Mann starring Jimmy Stewart, and let’s not forget George Stevens’s epic film Giant. These classic films helped keep the Western genre thriving. The biggest star of this time was John Wayne, who dominated Hollywood in the 1950s. 

 

It's also important to highlight the popularity of TV Westerns, with 30 different shows airing during prime time by 1959. By the late 1960s, traditional Westerns began to wane in popularity, paving the way for new series that mixed Western elements with genres like family drama, mystery, crime, and even Kung-fu. Today, it's evident that both television and streaming services have transformed the Western genre, venturing into new and creative directions. Notable series such as Deadwood, Justified, and Yellowstone, along with its spinoffs 1883 and 1923, showcase timeless frontier themes, including the conflict between nature and civilization, generational challenges, the treatment of Native Americans, and the varied roles of women within these stories.

 

Watching Westerns lets viewers dive into a crucial era of American history, highlighting some of the most fascinating and impactful films ever made. I continue to explore classic Western films regularly. I suggest checking out some neo-Western titles such as Silverado (1985), Unforgiven (1992), Tombstone (1993), Open Range (2003), No Country for Old Men (2007), Old Henry (2021), and Horizon (2024). Western films are an essential part of cinema that deserves more recognition. I can't stress enough how amazing these movies are.You need to make them a part of your film watching repertoire - you can thank me later ‘pardner!